- 1965 science fiction novel by Frank Herbert
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Dune. Arrakis. Desert planet. Long before I read Frank Herbert’s 1965 classic, it exerted its pull on me. As a kid, I spent dozens of hours playing Dune II (1992), which kickstarted the real-time strategy genre in gaming, with a thin plot loosely based on Herbert’s novel. I enjoyed Star Wars, which owes many of its ideas and settings to Dune. And I ran away (as you should) from the botched 1984 movie adaptation.
In 2020, how does the novel hold up?
Dune tells the story of a conflict in the far future, with cataclysmic consequences for a humanity that has become an interplanetary civilization. The conflict centers on the planet Arrakis, the only source of “spice”, a mind-enhancing drug needed for space navigation.
Young Paul Atreides, member of one of several powerful Houses that rule the galaxy, joins his father, Duke Leto, on a journey to take charge of Arrakis on behalf of the Emperor, displacing House Harkonnen. The Harkonnens have other plans—and so, it turns out, does the Emperor. Will the inhabitants of the desert planet, the native Fremen, take a side in the conflict? And what is the meaning of Paul’s visions of the future?
Frank Herbert is an incredibly imaginative author, and he manages to pack so many complex ideas into just a few paragraphs that it can make your head spin. The future of Dune is one where humanity has not only invented AI, it has decided to do away with it, in a jihad against technology. Instead of AI, a select few serve as mental computers—mentats—on behalf of the ruling class.
Religion, too, plays a powerful role. A religious order known as the Bene Gesserit has fused faith, eugenics, and mental discipline to pursue a long term agenda alongside secular rulers. Through its Missionaria Protectiva, it has seeded superstitious beliefs in human settlements throughout the galaxy, so it can exploit those beliefs later.
All this world-building is at times dizzying, especially when Herbert uses invented words and concepts without much introduction, leaving the reader to figure out what they mean (or inviting her to read the book’s glossary). But this is not a book without payoff—the characters and the world come alive as the story unfolds.
Herbert wrote five more novels that continued the story, and his son Brian Herbert has co-authored many additional books set in the same universe. While this sheer volume may seem daunting, the story told in Dune stands on its own, with or without sequels or prequels.
Dune is a masterpiece, at times challenging, but highly rewarding. By focusing on timeless themes of power and belief (instead of obsessing about the future of technology), Herbert managed to write a story that is just as much at home in the 21st century as it was in the 20th.
In some ways, it feels more relevant than ever. Part of the book is a plea for ecological literacy (it even features an appendix on the ecology of Arrakis), for understanding the interdependence of life and life-giving resources. And as we grapple with AI not just as a concept but as a reality, Dune depicts a fascinating future where the human intellect is augmented, not replaced.
I’ll withhold judgment on the arc of Herbert’s books until I’ve read more of them—but I can wholeheartedly recommend the first book in the series. A new movie adaptation is in the works, but with a world-wide pandemic, who knows when we’ll actually see it. In the meantime, you can’t go wrong reading the book that started it all.